Lodewijk Muns

Voorbij de oren

De puurheid van polyfonie

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<blockquote class="wp-embedded-content" data-secret="nT1th0kTGE"><a href="https://lodewijkmuns.nl/podcast/polyfonie/">De puurheid van polyfonie</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://lodewijkmuns.nl/podcast/polyfonie/embed/#?secret=nT1th0kTGE" width="500" height="350" title="&#8220;De puurheid van polyfonie&#8221; &#8212; Lodewijk Muns" data-secret="nT1th0kTGE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://lodewijkmuns.nl/wp-includes/js/wp-embed.min.js </script>

Over abstracte en ‘absolute’ muziek, de auditieve kaleidoscoop van Eduard Hanslick, het oercontrapunt van Heinrich Schenker, en de fuga’s van Bach.

Met een geschreven bijlage: ‘Art playing with itself’: the anti-contrapuntal prejudice.

00:00 Intro
00:36 Twee dogma’s
04:56 Muziek zonder toevoegselen
06:16 De auditieve kaleidoscoop
08:40 ‘Kunst die met zichzelf speelt’
13:03 Complementariteit: harmonie en contrapunt
18:02 Die Kunst der Fuge
24:42 Metacontrapunt
27:55 Schenkers openbaring
35:11 Bach: Preludium en fuga in F BWV 880

Muziekfragmenten:

• 03:51 J.S. Bach, Sinfonia (Invention) Nr. 1 BWV 787
• 13:48 Melodie en harmonisaties
• 16.42 J.S. Bach, Präludium F dur BWV 880, Das wohltemperierte Klavier II nr. 11
• 20:43 J.S. Bach, Contrapunctus I, Die Kunst der Fuge BWV 1080
• 26:23 H. Schenker, Zweistimmige Invention op. 5 nr. 1
• 35:41 J.S. Bach, Präludium und Fuge F dur BWV 880, Das wohltemperierte Klavier II nr. 11

Lodewijk Muns, piano

Bronvermelding: zie ‘Art playing with itself’