Who’s ‘I’ in Music?: Unmasking the Musical Persona (2021)
http://dx.doi.org/10.17613/w4hp-t096
Shifting Paradigms: Aesthetics, Rhetoric, and Musicology in the Eighteenth and Twentieth Centuries (2021)
http://dx.doi.org/10.17613/d6z4-g334
Fiction, Truth, and Lies: The Nonassertion Theory, Quotation, and Music as Fiction (2021)
http://dx.doi.org/10.17613/nk7f-wq20
Musical Aesthetics: An Introduction to Concepts, Theories, and Functions by Jonathan L. Friedmann (Review)
Notes 76, Nr. 4 (2020), 595–97
Musical Quotation and the ‘Use-Mention’ Distinction (2019)
http://dx.doi.org/10.17613/nk7f-wq20
Art, Aesthetics, and Origins: Reviewing How Art Works: A Psychological Exploration, by Ellen Winner (OUP 2019); The Aesthetic Animal, by Henrik Høgh-Olesen (OUP 2018); The Artful Species: Aesthetics, Art, and Evolution, by Stephen Davies (OUP, 2012) (2019) http://dx.doi.org/10.17613/nk7f-wq20
The Elocutionists: Women, Music, and the Spoken Word by Marian Wilson Kimber (Review)
Music & Letters 99, Nr. 1 (2018), 138-140
Words and Music by Peter Dickinson (Review)
Notes 74, Nr. 3 (2018), 463–66
Concert Song and Concert Speech Around 1800
Music & Letters 98, Nr. 3 (2017), 365–393
Schocher’s Ideas and Wötzel’s Words: Notes Along a Sidetrack (2016)
http://dx.doi.org/10.17613/zt4c-fj86
Gustav Anton Freiherr von Seckendorff, Alias Patrik Peale: A Biographical Note (2016)
http://dx.doi.org/10.17613/ppfp-mp41
The Inner Work of Music: Lerdahl and Jackendoff ‘s ‘Generative Theory’ (2015)
http://dx.doi.org/10.17613/c3nw-zn77
Music, Language, and the Deceptive Charms of Recursive Grammars
Paper presented at the 2014 Annual Conference of the Royal Musical Association Music and Philosophy Study Group, King’s College London, 27-28 June 2014
Classical Music and the Language Analogy
PhD dissertation, Humboldt-Universität zu Berlin (2014)
Abstract (pdf) – Table of Contents (pdf)
Boers, Johan Coenradus; Scheurleer, Daniël François.
In Laurence Libin, ed. Grove Dictionary of Musical Instruments, 2nd ed. New York: Oxford University Press, 2014.
Frederik Nieuwenhuysen: brieven aan de dichter J. P. Kleyn, 1783-1789
Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 63 (2013), 106-137
Beatrijs als opera: drie Nederlandse werken
In Ton van Kalmthout et al., ed. Beatrijs de Wereld in: Vertalingen en bewerkingen van het Middelnederlandse verhaal. Lage Landen Studies 6. Gent: Academia Press [etc.], 2013, 195-217
Archiefstuk van de maand (From the Archives: Monthly Feature)
Web Presentation, Nederlands Muziek Instituut (2012) (archived pdf)
‘Beatrijs’ als opera: drie werken in de archieven van het Nederlands Muziek Instituut
Web Presentation, Nederlands Muziek Instituut (2012) (archived pdf)
Liszt Manuscripts: A Bicentenary Presentation
Web Presentation, Nederlands Muziek Instituut (2011) (archived pdf)
The Scheurleer Museum of the History of Music
Web Presentation, Nederlands Muziek Instituut (2010) (archived pdf)
Marie Taglioni (1804-1884): A Life on Toe Tip
Web Presentation, Nederlands Muziek Instituut (2010) (archived pdf)
Schumann’s First Symphony: ‘The Nightwatchman’
The Musical Times 151/1911 (July 2010), 3–17
Four Letters of Franz Liszt to Espérance von Schwartz
Web Presentation, Nederlands Muziek Instituut (2009) (archived pdf)
Why I am Not a Schenkerian (2008)
https://doi.org/10.17613/02hh-7c40
C.P.E. Bach, Haydn, and the Art of Mixed Feelings (2008)
https://www.academia.edu/7561949/C_P_E_Bach_Haydn_and_the_Art_of_Mixed_Feelings
Albert, Karel.
In Ludwig Finscher, hrsg. Die Musik in Geschichte und Gegenwart, 2., neubearb. Ausg., Personenteil 1, Sp. 345‐346. Kassel [etc.]: Bärenreiter [etc.], 1999.
Werken voor het theater.
In Anton de Jager et al., eds. Duizend kleuren van muziek: leven en werk van
Hendrik Andriessen. Zutphen: Walburg Pers [etc.], 1992, 215‐230.
Conference Presentations
Musical Quotation and the ‘Use-Mention’ Distinction
Royal Musical Association Music and Philosophy Study Group. King’s College London, 11-12 July 2019
Shifting Paradigms: Music, Rhetoric and Aesthetics in Eighteenth and Twenty-First Century Perspectives
The Making of the Humanities VII, University of Amsterdam, 15-17 November 2018
Concert Song and Concert Speech around 1800
German Song Onstage 1770-1914. Royal College of Music, London, 12-14 February 2016
Musical Grammar and the Creative Process
Tracking the Creative Process in Music. IRCAM, Paris, 8-10 October 2015
Reviving Rhetoric: 18th Century Music and Modern Musicology II
Royal Music Association Annual Conference. Birmingham, 11 September 2015
Reviving Rhetoric: 18th Century Music and Modern Musicology I
The Making of the Humanities IV: Connecting Disciplines. Rome, 16-18 October 2014
Music, Language, and the Deceptive Charms of Recursive Grammars
2014 Annual Conference of the Royal Musical Association Music and Philosophy Study Group. King’s College London, 27-28 June 2014